Stuart Pigott
  • Home
  • About
Sign in Subscribe

Stuart Pigott

I’ve been a wine journalist since I was student of cultural history at the Royal College of Art in London during the mid-1980s, which means I followed the wine industry through many booms and crises, stylistic gyrations and technical innovations.

TOKAJI: The Compelling Beauty of Planet Aszú
Hungary

TOKAJI: The Compelling Beauty of Planet Aszú

TOKAJI: Dry and Very 21st Century!
Hungary

TOKAJI: Dry and Very 21st Century!

FRANKEN 2025: The Year of Silvaner
Germany

FRANKEN 2025: The Year of Silvaner

THE GREAT ELI: Winemaker and Cosmopolitan
We Love

THE GREAT ELI: Winemaker and Cosmopolitan

SZEKSZÁRD: Hungary's New Sexy Red?
Hungary

SZEKSZÁRD: Hungary's New Sexy Red?

HESSIGHEIM: Episode Three
Germany

HESSIGHEIM: Episode Three

HESSIGHEIM: Episode Two
Germany

HESSIGHEIM: Episode Two

PRAGER: The Bodensteins & I
Austria

PRAGER: The Bodensteins & I

HESSIGHEIM: Episode One
Germany

HESSIGHEIM: Episode One

EGER: Beautiful Blood on the Tracks
Hungary

EGER: Beautiful Blood on the Tracks

VILLÁNY: Multiple Personalities
Hungary

VILLÁNY: Multiple Personalities

BEAUJOLAIS: Blanc Revolution
Beaujolais

BEAUJOLAIS: Blanc Revolution

  • Sign up
  • Imprint
For art to exist, for any sort of aesthetic activity to exist, a certain physiological precondition is indispensable: intoxication. —Friedrich Nietzsche